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Helen Garner "The Children's Bach" (W&N Books)




This slim novel is set in Melbourne, Australia during the early 1980s. The opening chapter presents a longtime married couple, Dexter and Athena, with their two sons, one of whom has a severe neurodevelopmental disorder. Husband and wife are close, and after a tiring day of work and caring for their children, the couple take long walks together after dark. The domesticity of this family begins to unravel with the arrival of external forces. These arise from of a chance meeting with a friend from Dexter’s past, Elizabeth. Unlike the couple, she leads a bohemian lifestyle, and soon she introduces them to a rock musician friend, Philip, and to her much younger sister, Vicki. With these new people now a part of their lives, Dexter and Athena’s relationship undergoes subtle changes, ones that threaten to fracture the foundation of their marriage.

There is no one protagonist featured in the book. Events as they take place are told from a shifting cast of perspectives, primarily those of Dexter, Athena, Elizabeth and Vicki. What makes this novel special is Garner’s precision in capturing the inner thoughts of each one. None are portrayed as good or bad; rather they are shown to be coping with life as best they can. The Children’s Bach is short enough to be read in an evening, but the lovely prose is worth taking more time to savor. First published in Australia in 1984, it has since won a growing audience worldwide. My description of the story’s plot hardly does it justice. Helen Garner is an author worth getting to know, and this novel would be the perfect vehicle with which to do so
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William Maxwell "So Long, See You Tomorrow" (Vintage Classics)




William Maxwell tells a modest yet devastating story using memory as both his subject and method. His subject is his aging narrator’s revisitation of a childhood memory of a friendship ruptured by the murder of a neighboring farmer by his friend’s father. The narrator’s adult attempt to reconstruct this shocking act of violence forces him to confront his own past and his younger self. Maxwell constructs a plot around these memories that slowly accumulate feelings of unspoken guilt and withheld kindness that persist into adulthood.

Maxwell’s prose is deceptively simple, yet it is emotionally charged. Scenes of rural life in the 20’s Midwest, parental absence, adolescent confusion and even the impact on a farm dog that doubles as a beloved pet are rendered with such gentleness that their sadness arrives quietly, often well after finishing the passages. The novel’s power lies in what it refuses to dramatize, trusting the reader to feel the full measure of loss and regret.

Some may view this simplicity as a shortcoming, wanting more narrative momentum or psychological depth in the characters. Moreover, the novel’s brevity can make others feel its impact as fleeting and underwhelming. Yet, Maxwell deliberately maintains the emotional stew on simmer. In doing so, he has created a quiet, controlled novel that achieves its emotional power not through plot or drama but through reflection, restraint, and the slow accumulation of feeling.

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Kathryn Rose

December 2025

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